Download PDF Neither Here, Nor There: Travels in Europe (Bryson Book 11) By Bill Bryson

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Neither Here, Nor There: Travels in Europe (Bryson Book 11)-Bill Bryson

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Bill Bryson’s first travel book, The Lost Continent, was unanimously acclaimed as one of the funniest books in years. In Neither Here nor There he brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hammerfest, the northernmost town on the continent, to Istanbul on the cusp of Asia. Fluent in, oh, at least one language, he retraces his travels as a student twenty years before.Whether braving the homicidal motorists of Paris, being robbed by gypsies in Florence, attempting not to order tripe and eyeballs in a German restaurant or window-shopping in the sex shops of the Reeperbahn, Bryson takes in the sights, dissects the culture and illuminates each place and person with his hilariously caustic observations. He even goes to Liechtenstein.

Book Neither Here, Nor There: Travels in Europe (Bryson Book 11) Review :



I was a big fan of Bill Bryson when I was younger. I own more of his books than can be counted on one hand and have read at least twice that. It's been years, but I was excited to revisit his writing with this book.Unfortunately, the experience was lackluster and occasionally downright embarrassing. A writer I remembered as being witty and insightful now reads more like the uncle who uses racial slurs over Thanksgiving dinner.Many of the observations in this book -are- clever and interesting - it's impossible not to be delighted at secondhand accounts of foreign transportation, dining, and mannerisms - but these reflections are peppered with weirdly prejudiced statements that are more jarring than entertaining. There is hardly a city he visits in which he does not give in to the impulse to describe just how attractive or unattractive he personally finds the women (there are ample lingering descriptions of women's breasts and butt as though they are just as ornamental as the architecture). In one section the idea of fat people having sex is described as "comic relief" and then not three chapters later he is discussing his own weight with self-deprecating but thoughtful tones that these anonymous people were evidently not entitled to. He goes to great lengths to describe in detail how repulsed he is by sex workers, and at one point mourns the loss of "Dutch wh*res" replaced by "Asians and Africans" - as though Asian or black and Dutch are two groups with no overlap.There are a litany of such baffling narrative decisions too repetitive and uninteresting to list. Were it a few missteps the merits of this book might be able to shine through them, but as is, they were just too frequent and unpleasant to ignore. I am going to have to think very hard about reading another book by Bryson, as it's a tiring experience to have to brace myself for the experience of an adult man whining about his disgust at glimpsing armpit hair.
When John Steinbeck, who wrote The Grapes of Wrath, East of Eden, and Travels with Charley: In Search of America, met a young man in traveling across America in his converted camping car named Rocinante, he met a young man who longed to travel to Europe with the idealization of the continent as he had seen in magazines and books. Steinbeck, being already weary of the existential dealings on the road, advised him, “What’s the need when the world is conveniently at your fingertips in colors without all those travel-related hassles? You can see the world in books and films and still keep your ideal images of Europe.” Which is exactly why Bill Bryson, an American- born British writer renowned for his great sense of wit and superb command of the English language, decided to embark on his journey once again twenty years after he and his pal Katz backpacked across Europe. Bryson wanted to see Europe in itself with a tabula rosa and write something about the cultures that seemed at once so different and yet so oddly similar in his own eyes. The result is the touchy-feely, impetuously hilarious, and astonishingly insightful Neither Here Nor There.Bryson’s journey began and ended in the two geographical outposts of Europe, Hammerfest and Istanbul. By virtue of his narrative both so inviting and vivid with the use of languages both colloquial and literal that are so characteristic of his writing style, readers will easily and willingly follow his train of travel through the chapters, as he first takes us to Hammerfest to watch the beautiful shimmering gossamer of Northern Lights. We find Bryson feeling not-so-attractive while sitting on a bench at a park in Copenhagen, where all people looked handsome and beautiful. Such existential estrangement became heightened in Belgium, for all along he felt homesick, reminiscing about an old diner in Iowa and its cantankerous but hearty old waitress he frequented. In Amsterdam, he was concerned about the country’s “oddly wearisome” social conventions in regard of its complacency toward untenable political stance under the banner of tolerance. We see Bryson in the streets of Stockholm disappointed in the perfect socialist country littered and defiled by wastes mindlessly thrown away anywhere by its civilized residents without a shade of shame.And who would not but sympathize with Bryson’s pathos in Florence? Here in this City of Flowers, Bryson saw the ubiquitous Gypsies importune everyone, with their haggardly clothed little children as an instrument for orating their poverty to passers-by at which Bryson was righteously indignant. He questioned himself why the police were not making any efforts to stop the Gypsies from harassing people. Further in Austria, we feel for him as his idealization of Austria as the epitome of all things European was ungraciously punctured by unfriendly services, an irritatingly slow mode of business operation, and a lack of charming coffeehouses where he could rest his spent body and spirit for a time. What a Don Quixote-like journey full of episodes it was.Bryson’s cultural notations of each country he visited were, however, devoid of malicious sarcasm or jingoistic ignorance of its customs or social conventions. Things that he experienced in his travel in Europe was a clash of cultures he came from – originally Iowa, The U.S. and England afterwards – and cultures he had imagined in his mind, all of which spellbound him like a Boy in Wonderland. In fact, what fascinated him in Europe was his discovery that the world could be full of variety in which there were many different ways of doing essentially identical things, such as eating and drinking and buying movie tickets.Unlike other travel writers who only write about the sunny sides of the countries and peoples in their interests, Bryson is unafraid of telling readers his observations through his experience with a certain kind of fraternal or even paternal affection with his trademark wits wonderfully interwoven with intelligence and humanism.The travel ends in Istanbul with his hope of seeing more of the world, his everlasting wanderlust still luring with a vision of Asia across the Bosporus Bridge. He’s all up for the unforseeable happenings awaiting for him to encounter because that’s the glory of foreign travel, a travel to a terra ingonita where anyone can become a stranger, a wanderer blissfully ignorant of almost anything. To Bryson, the whole existence of traveler is to be constructed by a series of instantaneous guesses and endless actions. Notwithstanding all the woes of a lone traveler who was culture-bound, Bryson’s travels in Europe was something of his experience in Wonderland filled with a great sense of childlike wonder and appreciation of the wonders of each country in its own colors. Neither Here Nor There is his tale of veni vidi, vici experience and entertaining accounts of the world through his eyes with amusing and telling details resembling none other than themselves.

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